Yezierska, the author of “The Fat of the Land”
contrasts the past and present to add to the meaning of her story themed after
the struggles of an immigrant mother raising American children. The author uses
vivid characterizations of Hanneh and setting to contrast Delancey Street
Hanneh to Riverside Apartment Hanneh and to convey the personal struggles of
one immigrant mother to her readers.
The author begins to build her story by setting
young Hanneh’s predicament on Delancey Street. Young Hanneh complains to her
wise, neighbor Mrs. Pelz about the injustice she repeatedly faced. “Woe to me”
cries and ungrateful and seemingly self-centered Hanneh as she continues to
rattle off her problems to Mrs. Pelz in and emotional “outburst” (American
Mosaic 190). Young Hanneh complains about the rent, her children, getting
cheated by the butcher, and trying to keep her children fed. Wise Mrs. Pelz
assures her that her children will one day earn wages and as a result Hanneh
will be living of the “fat of the land” (American Mosaic 191). Hanneh’s
predicament of being a single immigrant mother of six children living in a
tenement propels the author’s tale.
Twenty-years later the author brings us to Hanneh
again except she is far from her life on Delancey Street and living in a
brownstone on Eighty-Fourth. Mrs. Pelz enters Hanneh’s home and a “whiff of
steam heated warmth” swept over her in contrast to Hanneh’s broken stove on
Delancey Street (American Mosaic 190,194). Hanneh feels like a prisoner; she
feels she has no freedom to be herself and “so long as there is no servant
around”, Hanneh and Mrs. Pelz may eat as they like (American Mosaic).
The plot of the story becomes further complicated as
we learn the resentment Hanneh feels towards her children, as well as the
resentment her children feel towards her. Fanny in particular does all she can
do to take the “Delancey Street” out of her mother. Hanneh “felt her heartache”
when she was shut out of her children lives (American Mosaic 197). Hanneh
learns that she has not been invited to Benny’s play and she pleads with them
“Do I count for a person in this house?”(American Mosaic 198).
Hanneh ends up being even further removed from her
children to Riverside Apartments where she tries unsuccessfully to live more
free. Hanneh believes after an argument with Fanny that returning to Delancey
Street will somehow help her regain what is lost. Hanneh shows up at Mrs. Pelz
door and tells her “it is our choked thoughts and feelings that are flaming up
in my children and making them great in America” emphasizing that they were
children of immigrants not just Americans. The story subsides as Hanneh makes
her way back to her Riverside Apartment and realizes she had “outgrown” Delancey
Street because of the life she lives now (American Mosaic 203).
Mano, Barbara Roche Rico and Sandra. American
Mosaic. Boston: Houghton Mifflin Company, 2001.
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